SuperWhoLock

SuperWhoLock is a fan-made crossover of the television shows Supernatural, Doctor Who, and Sherlock.[1][2] SuperWhoLock differs from most other fan-created texts in that there is no explicit canon, as references between the shows are minimal. Instead, the connections between the three shows are entirely created by fans.[3] Fan activities include fanfiction, fanart, creating "gif fics",[needs context] and cosplay.[4][5] SuperWhoLock is known for GIF fics.[5][6]

The fandom originated in the early 2010s on the social media site Tumblr, among predominately young, female, LGBTQ fans.[7][8] Paul Booth, a media scholar, reports that the earliest SuperWhoLock work (consisting of a GIF fic, several GIFs from the different TV shows arranged to form a single narrative) he was able to find was dated December 30, 2011, though the term had been coined before then.[9] The crossover may have gained steam from a fake trailer for SuperWhoLock, made by a fan in April 2012.[10][11] It "dominated Tumblr"[12] until the mid-2010s, before abruptly declining in popularity.[13][14][15]

Sherlock and Doctor Who were both shows from the UK which shared writers (Steven Moffat and Mark Gatiss), while Supernatural and Doctor Who were both sci-fi/fantasy shows; all three had large Tumblr fandoms in 2012.[4][10] Booth quotes a fan who believed that the crossover grew popular in part "because of the similar dynamics of the shows ... In all three shows the characters solve problems and crimes, be [they] supernatural or not, so it's easy for the fans to think of a plot that could include characters from all these shows."[16] Each subset of the three-way crossover (e.g. Supernatural and Doctor Who) also had their own fans,[10] and some fans began watching other shows from the trio after being introduced to SuperWhoLock through one of the other shows.[17] Fan engagement with SuperWhoLock often focuses on the characters from the three shows and their reactions and possible relations with one another.[18] A fan analyzes SuperWhoLock as "the combination not of the three texts, but of the three fandoms", and many fans identify primarily with the individual fandoms rather than the SuperWhoLock label.[19][20]

In 2014, a joke article published on April 1st announced a (fake) official crossover of the three shows.[21]

References

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  1. ^ Booth 2016, p. 1.
  2. ^ Hills 2017, p. 428.
  3. ^ Booth 2016, p. 7–8.
  4. ^ a b "The Keys to SuperWhoLock". the-artifice.com. 2016-01-20. Retrieved 2026-03-03.
  5. ^ a b Johnson, Emily K.; Salter, Anastasia (2025), "GIFs", Critical Making in the Age of AI, Amherst College Press, pp. 69–90, doi:10.3998/mpub.14510509.8, ISBN 978-1-943208-97-5, retrieved 2025-07-26{{citation}}: CS1 maint: work parameter with ISBN (link)
  6. ^ Booth, Paul (2015). Playing fans: negotiating fandom and media in the digital age. Iowa City: University Of Iowa Press. ISBN 978-1-60938-319-0.
  7. ^ Tenbarge, Kat. "'Supernatural's' queer fandom kept it alive for 15 years, but the show never gave them what they really wanted". Business Insider. Retrieved 2025-07-26.
  8. ^ Booth 2016, p. 17.
  9. ^ Booth 2016, p. 10.
  10. ^ a b c "WTF is Superwholock?". dailydot.com. 2012-10-05. Retrieved 2026-03-03.
  11. ^ Booth 2016, p. 16.
  12. ^ Rose, Axel-Nathaniel (2024-03-14). "#web-weaving: Parallel posts, commonplace books, and networked technologies of the self on Tumblr". Transformative Works and Cultures. 42. doi:10.3983/twc.2024.2495. ISSN 1941-2258.
  13. ^ ohestiada (2020-10-23). "The rise and fall of Tumblr empire, Superwholock". Lifestyle.INQ. Retrieved 2026-03-03.
  14. ^ Agne, Maddie (2021-12-02). "An Ode to Ten Years of Superwholock". The Michigan Daily. Retrieved 2026-03-03.
  15. ^ "The Great Superwholock Vanishing Act – Affinity Magazine". Retrieved 2026-03-03.
  16. ^ Booth 2016, p. 12-13.
  17. ^ Booth 2016, p. 14.
  18. ^ Booth 2016, p. 35-36.
  19. ^ Booth 2016, p. 37.
  20. ^ Short, Dean (2016-01-01). "SuperWhoLock: An Analysis of Subculture in a Microblogging Setting". Electronic Theses and Dissertations.
  21. ^ Booth 2016, p. 1-2.

Bibliography

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