Wikipedia

Works of Edith Maryon

Works

[edit]

The following is a substantially incomplete list of the works of Edith Maryon.

Image Title/Description Date Dimensions Location Comments
Modelled head from life 1898 Displayed at the Camden School of Art, where it won a prize.[1] Maryon's brother Herbert Maryon also won a prize, for a wrought metal casket.[1]
Panel for screen 1899 Displayed at the New Gallery for the 1899 Arts and Crafts Exhibition Society exhibition.[2]
Black-and-white photograph of a modeled figure by Edith Maryon Modeled figure 1899 Displayed at the 1899 National Art Competition in South Kensington, where it won a bronze medal.[3]
Religion 1900 Sketch model of a figure for a public building. Possibly exhibited in January 1899 at the Glasgow Art Galleries Sculpture Competition, where a sculpture by Maryon on the subject "Religion" was commended.[4] Exhibited at the Royal Academy of Arts from 7 May to 6 August 1900,[5] with the catalogue quoting Ephesians 6:11, "Put on the whole armour of God."[6] Exhibited at the Thirtieth Autumn Exhibition at the Walker Art Gallery from 17 September 1900 to 5 January 1901, priced at £15 15s (equivalent to £2,000 in 2023), and with the catalogue quoting the same line from Ephesians.[7] Displayed at the Leeds City Art Gallery for the 1901 spring exhibition, also priced at £15 15s (equivalent to £2,000 in 2023).[8] Said by Marion Spielmann to "show taste and elegance" and be "full of promise".[9]
Black and white photograph of a sculpture by Edith Maryon Model of a figure from the nude 1900 Displayed at the Victoria and Albert Museum as part of the 1900 National Competition of Schools of Art and Art Classes, where it won a gold medal.[10] Pictured in The Magazine of Art in 1901.[11]
Black and white photograph of a plaster relief by Edith Maryon Plaster relief 1900 Displayed at the 1900 exhibition of the Royal College of Art's South Kensington Sketch Club, where Maryon (possibly for this piece) won an award offered by The Artist for an adaptation of the human figure to some applied art object.[12]
Black and white photograph of Edith Maryon's sculpture A Sketch in Clay A Sketch in Clay 1900 Displayed at the 1900 exhibition of the Royal College of Art's South Kensington Sketch Club, where it won an award for modelling offered by Édouard Lantéri.[13]
Black and white photograph of Edith Maryon's relief May Morning May Morning 1901 Relief, portion of a fireplace.[14] Exhibited at the Royal Academy of Arts from 6 May to 5 August 1901,[15] with the catalogue quoting William Wordsworth, "When youths and maids At peep of dawn would rise, And wander forth, in forest glades Thy birth to solemnize."[16][17][18] Pictured in a review of the exhibition in The Builder, with the magazine terming it a "spirited panel in relief".[19] Exhibited at the Thirty-first Autumn Exhibition at the Walker Art Gallery from 16 September 1900 to 4 January 1901, priced at £52 10s (equivalent to £6,700 in 2023), and with the catalogue quoting the same lines by Wordsworth.[20] Pictured in Marion Spielmann's 1901 book British Sculpture and Sculptors of Today, and said to "show taste and elegance" and be "full of promise";[9] in The Magazine of Art, he wrote that it was "somewhat ambitious in design, although a little conventional perhaps; it is frankly student's work, but full of cleverness, grace, and distinction, and even fuller of promise, for the lady is working in a good school".[21]
Portrait medallion 1901 Metal in relief. Exhibited at the Royal Academy of Arts from 6 May to 5 August 1901.[22][17][15]
Joan d'Arc 1901 Relief. Exhibited at the 1901 Glasgow International Exhibition.[23][24]
Auf Weidersehn 1902 Displayed at the Leeds City Art Gallery for the 1902 spring exhibition, priced at £12 12s (equivalent to £1,600 in 2023).[25]
Cupid and Psyche 1902 Clasp, silver enamel. Exhibited at the Royal Academy of Arts from 5 May to 4 August 1902.[26][17][27]
Francis, son of Sir Rennell and Lady Rodd 1902 Medallion. Exhibited at the Royal Academy of Arts from 5 May to 4 August 1902.[28][17][27]
Miss Mildred Maryon 1903 Plaster bust.[29] Exhibited at the Royal Academy of Arts from 4 May to 3 August 1903.[30][17][31] Exhibited at the Thirty-third Autumn Exhibition at the Walker Art Gallery from 14 September 1903 to 2 January 1904, not priced for sale.[29] Pictured in Raab 1993, abb. 15.
Mother and child 1903 Group. Exhibited at the Royal Academy of Arts from 4 May to 3 August 1903.[30][32][17][31] Said by Marion Spielmann to "show taste and elegance" and be "full of promise".[9]
Rev. Canon Rawnsley 1903 Keswick Museum[33] Bronze relief. Exhibited at the Royal Academy of Arts from 4 May to 3 August 1903.[30][17][31]
Black and white photograph of Edith Maryon's sculpture Evelyn and Gloria, children of Sir Rennell and Lady Rodd "Listen!" Evelyn and Gloria, children of Sir Rennell and Lady Rodd 1903 Marble.[34] Exhibited at the Royal Academy of Arts from 4 May to 3 August 1903,[35][36][31] and again from 2 May to 1 August 1904 under the name Evelyn and Gloria: children of Sir Rennell and Lady Rodd.[37][38][39][17] Exhibited under the latter name at the Thirty-fourth Autumn Exhibition at the Walker Art Gallery from 12 September 1904 to 7 January 1905, not priced for sale.[34] According to Raab, these are different works.[40]
Black and white photograph of Edith Maryon's sculpture The Messenger of Death The Messenger of Death 1904 Exhibited at the Royal Academy of Arts from 2 May to 1 August 1904,[41] with line "One shall be taken, the other left".[42][43][44][17]
Black and white photograph of Edith Maryon's sculpture The Triumph of Peace The Triumph of Peace 1904 Exhibited at the New Gallery in 1904.[45][46] According to Raab, the same work as Peace and War.[40]
Miss Rose Gough, daughter of the Hon. Mrs. Denison 1904 Marble bust. Exhibited at the Royal Academy of Arts from 2 May to 1 August 1904.[30][17][41]
St. Michael 1904 or 1905 Plaster statuette.[47][48] Exhibited at the Thirty-fifth Autumn Exhibition at the Walker Art Gallery from 18 September 1905 to 6 January 1906, priced at £15 15s (equivalent to £2,100 in 2023).[48] Pictured in Raab 1993, abb. 16.
Peace and war 1905 Sketch model for a frieze. Exhibited at the Royal Academy of Arts from 1 May to 7 August 1905.[49][50] Exhibited at the Thirty-fifth Autumn Exhibition at the Walker Art Gallery from 18 September 1905 to 6 January 1906, priced at £10 10s (equivalent to £1,400 in 2023).[51] According to Raab, the same work as The Triumph of Peace.[40]
The Singer 1905
Sleep 1905 [52]
Black and white photograph of Edith Maryon's sculpture The Pixies' Ring The Pixies' Ring 1906 Versions in plaster and marble.[53] Exhibited at the Royal Academy of Arts from 7 May to 6 August 1906.[54][55][56] Exhibited at the Thirty-sixth Autumn Exhibition at the Walker Art Gallery from 17 September 1906 to 5 January 1907, priced at £50 in plaster (equivalent to £6,500 in 2023) and £300 in marble (equivalent to £39,000 in 2023).[53]
Black and white photograph of Edith Maryon's sculpture A Poet of Umbria A Poet of Umbria 1907 [57]
Black and white photograph of Edith Maryon's portrait of Bishop Alfred Tucker Portrait of Bishop Alfred Tucker 1908 or earlier [58][59]
Black and white photograph of Edith Maryon's sculpture The Enchanted Garden The Enchanted Garden 1908 Exhibited at the Royal Academy of Arts from 4 May to 3 August 1908.[60][61][62]
A future Darwin 1908 Bust. Exhibited at the Royal Academy of Arts from 4 May to 3 August 1908.[63][62]
Black and white photograph of Edith Maryon's sculpture The Passing of Winter The Passing of Winter—Miss Maude Allan as Spring 1909 Plaster group.[64][65][66] Exhibited at the Forty-first Autumn Exhibition at the Walker Art Gallery from 23 September 1911 to 6 January 1912, priced at £200 (equivalent to £25,400 in 2023).[64]
Colour photograph of Edith Maryon's sculpture The Dance of Anitra The Dance of Anitra February 1909 53 cm high; 19.5 x 16 cm wide (base) Private collection Bronze statuette. Depicts Maud Allan performing Anitra's dance from Act IV of Peer Gynt.[67][68] Exhibited at the Royal Academy of Arts from 3 May to 2 August 1909,[67][69][70][71][72] and at the Fortieth Autumn Exhibition at the Walker Art Gallery from 19 September 1910 to 7 January 1911, priced at £12 12s (equivalent to £1,600 in 2023).[73][74][75] Auctioned for £4,200 in 2025, attributed to a private collection in Wiltshire.[76]
Black and white photograph of Edith Maryon's sculpture To the Witches' Revels To the Witches' Revels 1909 37 cm high Private collection Patinated bronze, signed and dated in the cast. Exhibited at the Fortieth Autumn Exhibition at the Walker Art Gallery from 19 September 1910 to 7 January 1911, priced at £15 15s (equivalent to £2,000 in 2023).[73] Auctioned for £3,400 in 2015 (equivalent to £4,300 in 2023).[77][78][79][80]
Psyche 1909 43 cm high Private collection Bronze statuette. Exhibited in plaster at the Thirty-ninth Autumn Exhibition at the Walker Art Gallery from 20 September 1909 to 8 January 1910, with bronze version, which sold during the exhibition, priced at £12 12s (equivalent to £1,600 in 2023).[81][82] Exhibited at the Royal Academy of Arts from 2 May to 6 August 1910.[83][84] Auctioned by Christie's in 1993 with an estimate of £1,000–1,500, but was bought in.[85][86] Sold by Tennants in 2004.[87]
The Order of the Bath 1909 Exhibited in plaster at the Thirty-ninth Autumn Exhibition at the Walker Art Gallery from 20 September 1909 to 8 January 1910, with bronze version priced at £2 2s (equivalent to £300 in 2023).[88]
Miss Ruth Franklin 1910 Statuette. Exhibited at the Fortieth Autumn Exhibition at the Walker Art Gallery from 19 September 1910 to 7 January 1911, priced at £10 10s (equivalent to £1,300 in 2023).[89]
Colour photograph of a bronze figurine of an infant by Edith Maryon Meditation 1910 8 cm high Private collection Bronze. Exhibited at the Fortieth Autumn Exhibition at the Walker Art Gallery from 19 September 1910 to 7 January 1911, priced at 10s 10d (equivalent to £100 in 2023).[73] Sold by East Bristol Auctions in February 2019.[90][91] A version in gilt plaster purchased by William Lever, 1st Viscount Leverhulme and displayed at the Lady Lever Art Gallery, but no longer part of the collection.[92]
Fairy Luck 1910 7.5 cm high Versions in bronze and gilt plaster.[73][93] Bronze version exhibited at the Fortieth Autumn Exhibition at the Walker Art Gallery from 19 September 1910 to 7 January 1911, priced at 10s 10d (equivalent to £100 in 2023), and sold during the exhibition.[73] Gilt-plaster version purchased by William Lever, 1st Viscount Leverhulme and displayed at the Lady Lever Art Gallery, but no longer part of the collection.[94][92]
Black and white photograph of Edith Maryon's sculpture Priestess of Isis Priestess of Isis, Sistrum Lady of Isis, Nekhta Aukh 1911 Exhibited at the Royal Academy of Arts from 1 May to 7 August 1911.[95][96][97] Exhibited in plaster at the Forty-first Autumn Exhibition at the Walker Art Gallery from 23 September 1911 to 6 January 1912, priced at £50 (equivalent to £6,400 in 2023).[64]
Black and white photograph of Edith Maryon's sculpture The Priest The Priest 1911 [98]
Echo 1911 29.8 cm high; 33.7 cm wide (plinth) Walker Art Gallery Bronze statuette. Exhibited at the Royal Academy of Arts from 1 May to 7 August 1911.[95][97] Exhibited at the Forty-first Autumn Exhibition at the Walker Art Gallery from 23 September 1911 to 6 January 1912, priced at £10 10s (equivalent to £1,300 in 2023).[99] Purchased at the close of the exhibition by the Walker Art Gallery for its permanent collection.[99][100]
Black and white photograph of Edith Maryon's sculpture The seeker of Divine wisdom The seeker of Divine wisdom 1912 Exhibited at the Royal Academy of Arts from 6 May to 5 August 1912,[101] with the catalogue including the line "The seeker kneels before Wisdom; behind him stand Religion, Knowledge, Purity, Change; on the left side Natural Law or Science, Love, Inspiration or Prayer; seated figures Contemplation or Research."[102][103]
The Skylark 1912 Oxydised silver-plated.[104] Exhibited at the Forty-second Autumn Exhibition at the Walker Art Gallery from 5 October 1912 to 4 January 1913, priced at £2 2s (equivalent to £300 in 2023).[104]
Color photograph of Edith Maryon's relief In Memory of Thei Faiss In Memory of Theo Faiss 1921 71.5 cm (version 1) or 67 cm (version 2) high; 33.5 cm wide Private collections Relief in plaster and bronze. Two versions made.
Nude relief 860mm high; 560mm wide; 35mm deep; 13.6 kg destroyed Sold on eBay on 11 October 2021 for £111; destroyed by Parcelforce.[105]
Plaster casts of eurythmy figures Private collection [106]

References

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  1. ^ a b "Camden School of Art". The Holloway & Hornsey Press. No. 1, 351. Holloway, London. 16 December 1898. p. 5. Retrieved 20 February 2023. Closed access icon
  2. ^ Arts & Crafts Exhibition Catalogue 1899, p. 136.
  3. ^ Benn 1899, pp. 148–149.
  4. ^ "Glasgow Art Galleries Sculpture Competition". The British Architect. LI: 58. 27 January 1899. Open access icon
  5. ^ Valentine, Helen (30 May 2018). "1900: "She put a spell on me", or the Enchantment of George Frampton's Lamia". The Royal Academy Summer Exhibition: A Chronicle, 1769–2018. Paul Mellon Centre for Studies in British Art. Retrieved 3 December 2025. Free access icon
  6. ^ Royal Academy of Arts 1900, p. 63.
  7. ^ Thirtieth Autumn Exhibition Catalogue 1900, p. 107.
  8. ^ "Religion". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Archived from the original on 21 June 2024. Retrieved 3 December 2025. Free access icon
  9. ^ a b c Spielmann 1901a, p. 163.
  10. ^ The Artist National Competition 1900–1901, p. 86.
  11. ^ The Magazine of Art National Competitions 1901, p. 39.
  12. ^ K. 1900–1901, pp. 193, 195.
  13. ^ K. 1900–1901, pp. 194–195.
  14. ^ Koch 1901, p. 85.
  15. ^ a b Pomeroy, Mark (30 May 2018). "1901: The Policeman Painter". The Royal Academy Summer Exhibition: A Chronicle, 1769–2018. Paul Mellon Centre for Studies in British Art. Retrieved 3 December 2025. Free access icon
  16. ^ Royal Academy of Arts 1901, p. 63.
  17. ^ a b c d e f g h i j Graves 1906, p. 208.
  18. ^ Wordsworth, William (1870). "Ode, Composed on May Morning". The Poetical Works of William Wordsworth. Vol. IV. London: E. Moxon, Son, & Co. pp. 272–274. Archived from the original on 14 March 2023. Retrieved 13 March 2020. Open access icon
  19. ^ The Builder 1901, pp. 577–578.
  20. ^ Thirty-first Autumn Exhibition Catalogue 1901, p. 106.
  21. ^ Spielmann 1901b, p. 506.
  22. ^ Royal Academy of Arts 1901, p. 64.
  23. ^ International Exhibition Glasgow Catalogue 1901, p. 113.
  24. ^ "Joan D'Arc". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Archived from the original on 7 June 2020. Retrieved 8 March 2020. Free access icon
  25. ^ "Auf Weidersehn". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Archived from the original on 6 June 2020. Retrieved 8 March 2020. Free access icon
  26. ^ Royal Academy of Arts 1902, p. 54.
  27. ^ a b Prettejohn, Elizabeth (30 May 2018). "1902: Royalty for a New Century". The Royal Academy Summer Exhibition: A Chronicle, 1769–2018. Paul Mellon Centre for Studies in British Art. Retrieved 4 December 2025. Free access icon
  28. ^ Royal Academy of Arts 1902, p. 55.
  29. ^ a b Thirty-third Autumn Exhibition Catalogue 1903, p. 104.
  30. ^ a b c d Royal Academy of Arts 1903, p. 62.
  31. ^ a b c d Fletcher, Pamela (30 May 2018). "1903: The Prodigal Daughter and the Problem Picture". The Royal Academy Summer Exhibition: A Chronicle, 1769–2018. Paul Mellon Centre for Studies in British Art. Retrieved 4 December 2025. Free access icon
  32. ^ The Magazine of Art 1903, p. 439.
  33. ^ "Decorative Art: Arts and Craft Movement". Keswick Museum. Archived from the original on 14 March 2023. Retrieved 13 March 2023. Free access icon
  34. ^ a b Thirty-fourth Autumn Exhibition Catalogue 1904, p. 120.
  35. ^ Royal Academy of Arts 1903, p. 64.
  36. ^ The Magazine of Art 1903, pp. 438–439.
  37. ^ Royal Academy of Arts 1904, p. 61.
  38. ^ Koch 1904, p. 125.
  39. ^ Koch 1908, p. 9.
  40. ^ a b c Raab 1993, p. 41.
  41. ^ a b Tromans, Nicholas (30 May 2018). "1904: Physical Energy". The Royal Academy Summer Exhibition: A Chronicle, 1769–2018. Paul Mellon Centre for Studies in British Art. Retrieved 4 December 2025. Free access icon
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  44. ^ Koch 1908, p. 14.
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  47. ^ Raab 1993, pp. 41–42, 47, 148.
  48. ^ a b Thirty-fifth Autumn Exhibition Catalogue 1905, p. 80.
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  51. ^ Thirty-fifth Autumn Exhibition Catalogue 1905, p. 81.
  52. ^ Billcliffe 1992, p. 197.
  53. ^ a b Thirty-sixth Autumn Exhibition Catalogue 1906, p. 81.
  54. ^ Royal Academy of Arts 1906, p. 58.
  55. ^ Koch 1908, p. 79.
  56. ^ Feather, Jessica (30 May 2018). "1906: A New Era for Printmakers?". The Royal Academy Summer Exhibition: A Chronicle, 1769–2018. Paul Mellon Centre for Studies in British Art. Retrieved 4 December 2025. Free access icon
  57. ^ Koch 1908, p. 127.
  58. ^ Tucker 1908, pp. iii, xv.
  59. ^ Forrer 1930, p. 33.
  60. ^ Royal Academy of Arts 1908, p. 56.
  61. ^ Koch 1908, p. 158.
  62. ^ a b Barringer, Tim (30 May 2018). "1908: Deep in the Maze of Summer Woods". The Royal Academy Summer Exhibition: A Chronicle, 1769–2018. Paul Mellon Centre for Studies in British Art. Retrieved 4 December 2025. Free access icon
  63. ^ Royal Academy of Arts 1908, p. 59.
  64. ^ a b c Forty-first Autumn Exhibition Catalogue 1911, p. 116.
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  66. ^ Koch 1912, p. 11.
  67. ^ a b Royal Academy of Arts 1909, p. 62.
  68. ^ Raab 1993, pp. 41 & n.15.
  69. ^ "Theatrical Gossip". The Era. Vol. 72, no. 3, 685. London. 8 May 1909. p. 16.
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  71. ^ Steiner 1990, p. 254.
  72. ^ Shaw, Samuel (30 May 2018). "1909: George Clausen and the Woman Reading". The Royal Academy Summer Exhibition: A Chronicle, 1769–2018. Paul Mellon Centre for Studies in British Art. Retrieved 4 December 2025. Free access icon
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  76. ^ "Edith Maryon (1872–1924), A Bronze Figure of Maud Allan- Dance of Anitra, Dated 1909". Dreweatts. 11 September 2025. Archived from the original on 11 September 2025. Retrieved 11 September 2025. Free access icon
  77. ^ Koch 1909, p. 94.
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  79. ^ "Louisa Edith Maryon (1872–1924)". Woolley & Wallis. 2015. Archived from the original on 5 July 2019. Retrieved 7 July 2019. Free access icon
  80. ^ Faxneld 2017, pp. 239, 241–242.
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  84. ^ O'Neill, Morna (30 May 2018). "1910: The Politics of Portraiture". The Royal Academy Summer Exhibition: A Chronicle, 1769–2018. Paul Mellon Centre for Studies in British Art. Retrieved 4 December 2025. Free access icon
  85. ^ The Nineteenth Century: The Properties of the late Sir Basil Fraser, 2nd Baronet of Cromarty; Clare, Duchess of Sutherland; and from various sources. London: Christie, Manson & Woods Ltd. 1993. OCLC 171301145.
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  88. ^ Thirty-ninth Autumn Exhibition Catalogue 8th ed. 1909, p. 117.
  89. ^ Fortieth Autumn Exhibition Catalogue 1910, p. 125.
  90. ^ "Rare Louisa Edith Church Maryon Bronze Figurine of an Infant". East Bristol Auctions. Archived from the original on 11 September 2025. Retrieved 11 September 2025. Free access icon
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  92. ^ a b Clay et al. 1999, p. 81.
  93. ^ Yarrington 2005, p. 105.
  94. ^ Yarrington 2005, pp. 105 & n.42.
  95. ^ a b Royal Academy of Arts 1911, p. 58.
  96. ^ Koch 1912, p. 70.
  97. ^ a b Yordanov, Vassil Vesselinov (30 May 2018). "1911: Formalism and Naturalism". The Royal Academy Summer Exhibition: A Chronicle, 1769–2018. Paul Mellon Centre for Studies in British Art. Retrieved 4 December 2025. Free access icon
  98. ^ Koch 1912, p. 71.
  99. ^ a b Forty-first Autumn Exhibition Catalogue 1911, p. 115.
  100. ^ "Echo". Art UK. Retrieved 22 October 2023. Free access icon
  101. ^ Law, Jonathan (30 May 2018). "1912: Henry Scott Tuke and the Erotics of Display". The Royal Academy Summer Exhibition: A Chronicle, 1769–2018. Paul Mellon Centre for Studies in British Art. Retrieved 4 December 2025. Free access icon
  102. ^ Royal Academy of Arts 1912, p. 61.
  103. ^ Koch 1912, p. 115.
  104. ^ a b Forty-second Autumn Exhibition Catalogue 1912, p. 88.
  105. ^ "Edith Maryon Large Decorative Bas Relief Plaster Sculpture of Nude Male". eBay. 11 October 2021. Archived from the original on 28 November 2021. Retrieved 28 November 2021. Free access icon
  106. ^ "GIPS". Mirum. Archived from the original on 23 December 2022. Retrieved 23 December 2022. Free access icon

Bibliography

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Royal Academy of Arts exhibition catalogues

Walker Gallery Autumn exhibition catalogues